At that time, we made more model houses, and the model house was not specific to a certain class, but a class of people. Now our freedom is a bit bigger. I have always felt that a lot of designs, from the beginning of the plane to the placement of the flower arrangement, are a design process.
From the 1990s to the 21st century, I feel that there has been a great change in communication with customers. First, it used to be free design. Now it's all paid. It used to cost a few points from the engineering fee. Now the situation is not related to the project. We charge our own labor costs, which is actually for labor. Recognition. I think there is another important thing is what kind of results you want to provide, or the other level of this thing. All the techniques, placements, or fabrics are actually for one purpose, that is, to express a space. Temperament and connotation. Chinese designers have been progressing very fast in recent years, and their learning ability is very strong. But I think it is still more modest and serious. When you really understand and clearly express a thing, then it is a realm, but this process is actually very difficult. China has such a large construction market. China has several internationally famous designers on the building, but it is still rare as a master. Compared with China’s size, I think it is not. Too much commensurate. But this is also a process. China's progress is fast. We have only 60 years since the founding of the country, and the real interior design has only been more than ten years. We are still very young.
Now talking about the role of furniture accessories in space, there are two levels, one is the level of furniture accessories, and the other is the level of art. The first step is to deal with space. Space is equivalent to a person. Your skeleton is tied up. It is suitable for a proportional scale. Then you wear a hat and wear a hat. This is a very good looking person. This is a project we did in Tianjin. This project is just an accessory design. At that time, it was a new Chinese style. The so-called "new" only changed some colors, including the screen, such as the screen, which is a very Chinese style. The screen, but brushed such a color, so that it has a very light feeling, not so heavy; this is a Chinese-style cabinet, but its hardware has chosen a white metal material, it feels very relaxed. Including the color will also be different from the previous practice.
This is a project we have in Changchun. At that time, Party A’s trust in us was actually very high. This is the plan we reported to the other party at the time. I believe that taking this drawing is now PASS directly; sometimes the rendering is difficult. To express a thing, this is actually the point that we especially emphasize when we communicate with Party A.
There is a good grasp of the color matching of the entire furniture, the relationship between the front and the back, including some English-style hooks and color structure treatment. This is a small hall, some are things that need a sense of line, some need to be slightly thicker and fuller, so that the layering should pay attention. We also did a lot of the relationship before and after, but in fact, it is layered up one by one, and it is accumulated to achieve this effect.
This is another space, the theme of the design is the photographer. This position is based on flowers. The size of the frame has some feeling of falling. The color is intended to be a softer color, fresher and more natural. The whole furniture mix often has some open relationships, some need to be collected, and some need to be put. This is a background. In fact, from the perspective of the entire decoration, our background processing is very simple, the wooden floor, wallpaper, through the matching and change of furniture, make the whole space look richer. This is the audio-visual room. People who speak audio say that this room is definitely not suitable for listening to music. There are too many mirrors; but we use mirrors to make the space more open.
We are very simple in terms of background processing. Morocco has a great designer and a court style. We usually feel that it is hard to live in this style, but if you build through your age and experience, do it. It's really great to come out. Many of our current designs are to write a popular song, and sometimes the level of popular songs has not been reached. But the Moroccan designer has fully achieved the concept of symphony, which is very demanding for designers. Regardless of whether it is hard or soft, the first thing like this is that I think accumulation is very important. It is also important to have such an opportunity.
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